War and Peace in the Modern
World
Honors Preceptorial
Course Equivalent:
History 16 /Peace and Justice Studies 1
Credit: 4 units
Fall 2003 Dr. James Gump
IPJ 214 IPJ 263A
T Th 9:05-10:30 Ph: 619 260-7787
Office Hours: Fax: 619 260-2272
MW 1:00-3:00 p.m. E-mail: gump@sandiego.edu
T 1:30-2:30 p.m. Web: http://home.sandiego.edu/~gump/
The ending of the Cold War seemed to promise a new world order characterized by respect for human rights, principles of democracy, and the rule of law. Instead, we enter the twenty-first century plagued by global conflict and burdened by spasms of terrorism, radical nationalism, ethnic cleansing, a growing gap between rich and poor, and the proliferation of nuclear and biological weapons. Where did these problems arise and why have they not gone away? Furthermore, how have societies gone about managing conflict and sustaining peace over the past two hundred years or so? This preceptorial will assist students in gaining historical perspective on these questions by exploring the underlying causes of war, revolution, terrorism, and genocide in modern world history. We will begin with an analysis of the contemporary scene and then back up to explore the historical evolution of conflict and its resolution since the era of revolutionary France. Utilizing a global perspective, we will then analyze the strengths and weaknesses of various attempts at managing and resolving conflict in the modern world.
Our study of war and peace in the modern world incorporates the essential elements of a liberal education and complements USDÕs commitment to global education, cultural diversity, and concern for human values. Specific learning outcomes include:
á Students develop the skill of Òhigh impactÓ writingÑthat is, writing with precision, clarity, purpose, and integrity;
Attendance, Grades, Etc.:
Your final grade in this class can be reasonably predictable if you abide by the following guidelines: 1) participation; 2) the careful and timely preparation of reading and writing assignments; and 3) regular attendance. The Latin root for educationÑeducareÑvariously means to Òrear,Ó to Òdevelop,Ó as well as to Òbring out.Ó Thus, by definition, education is both didactic and interactive; an educator is not only obliged to instruct and edify but also to elicit ideas from students. Consequently, student participation, based on the timely preparation of reading and writing assignments as well as regular attendance, constitutes an essential component in the success of this course. Feel free to share your ideas at all times, and as a sign of respect for your fellow students, please attend regularly.
In addition, please familiarize yourself with USD's Academic Integrity policy, especially the information on plagiarism, fabrication, and examination behavior. Be advised that intentional cheating will result in an automatic failure for this course, as well as activate a Hearing Committee of administrators, faculty, and student peers. This Committee is empowered to impose a variety of sanctions, including censure, suspension, and even expulsion from the University. Believe me, speaking as the former chair of the Academic Integrity Hearing Committee, you do not want to go there.
Finally, no extra-credit work is required and none will be accepted. Examinations will be administered only on the days and times designated in this syllabus. If for any reason you cannot comply with these guidelines please let me know as soon as possible.
Grades will be calculated according to the following formula:
20% Midterm Examination (Thursday, October 9).
15% Position Paper (Tuesday, October 21): Please write a five-page position paper on the following topic:
Germany bears principal responsibility for the outbreak of WWI.
20% Midterm Examination (Tuesday, November 11)
15% Review Essay and Oral Presentation (essay due December 11)
20% Final Examination (Thursday, December 18, 8:00-10:00 a.m.)
10% Reading Quizzes and
Class Participation
During the last two weeks of the semester students will evaluate a book or film that focuses on themes of war and peace and present their findings to the class (examples are listed below). The most important point to remember about your review essay, which is due on December 11, is that it is a commentary, not merely a summary. Therefore, the bulk of the essay should be an evaluation of the way the author or director handled the subject, and a commentary on the book/filmÕs contribution to your understanding of the issues discussed. Your review should discuss the workÕs theme and point of view, as well as your reaction to them; assess the author/directorÕs values and biases; and draw conclusions as to how well the author/directorÕs point comes across. The form of your review essay is the same as any book review. You should begin by making a list of points you wish to address. Once your list of central points has been compiled, you should take each one as the focus of a different section of your review. Each section of your review should explain the point, support it with your own arguments and with brief examples from the book/film under review, and then draw conclusions as to the meaning and importance of the idea being discussed. In the end, it should be clear to the instructor not only that you have read/viewed the work and can summarize it but that you have also thought about what you have read or seen.
Bullock, A. Hitler: A Study in Tyranny
Erickson, E. GandhiÕs Truth: On the Origins of Militant Nonviolence
Greene, G. The Quiet American
Hiro, D. War Without End: The Rise of Islamist Terrorism and the Global Response
Hochschild, A. King LeopoldÕs Ghost
Kimball, W. Forged in War: Roosevelt, Churchill, and the Second World War
Klare, M. Resource Wars: The New Landscape of Global Conflict
Mandela, N. Long Walk to Freedom
McCullogh, D. Truman
Remnick, D. LeninÕs Tomb: The Last Days of the Soviet Empire
Sampson, A. Mandela: The Authorized Biography
Service, R. Lenin: A Biography
Spence, J. The Gate of Heavenly Peace: The Chinese and Their Revolution
A
Dry, White Season
All
Quiet on the Western Front
Apocalypse
Now
Blackhawk
Down
Breaker
Morant
Dr.
Strangelove
Full
Metal Jacket
Gallipoli
Little
Big Man
Lumumba
Patton
Stalingrad
The
Killing Fields
The
Pianist
The
Quiet American
The
Thin Red Line
The
Year of Living Dangerously
War and Peace
Our Preceptorial has been selected to participate in Passport to Success, a program at USD that offers approximately thirty workshops designed specifically to assist first-year students with the transition to college. You will be required to attend three workshops of your choosing (you may attend more if you wish) during the fall semester. Workshop topics cover a range of issues that first-year students are likely to encounter, including choosing a major, faculty expectations, test preparation, time management, study skills, life management, and relationships. Workshops typically last no longer than one hour.
J. Bentley and H. Ziegler Traditions and Encounters, 2nd ed., vol. C
C. Johnson Blowback
J. Gump The Dust Rose Like Smoke
G. Martel The Origins of the First World War, 2nd ed.
E. Wiesel Night
Electronic Reserve Password: ÒwarandpeaceÓ
Sept. 4: Introduction
Sept. 9: War and Peace in Recent Times
Reading: Johnson, Blowback
Sept. 11-18: Revolutions and National States
Reading: Bentley, chs. 30, 31
Palmer and Colton, ÒThe French RevolutionÓ
(electronic
reserve)
Sept. 23-Oct. 7: Empires in Formation and Decline
Reading: Bentley, chs. 32-34
Gump, Dust Rose Like Smoke
Oct. 9: Midterm Exam
Oct. 14-23: The Great War and its Antecedants
Reading: Bentley, ch. 35
Martel, Origins of the First World War
Position Paper Due Oct. 21
Oct. 28-Nov. 6: The Age of Anxiety
Reading: Bentley, ch. 36
Kershaw, ÒHitlerÓ
(electronic
reserve)
Nov. 11: Midterm
Exam
Nov. 13-25: Total War and Cold War
Reading: Bentley, chs. 37-38
Wiesel, Night
Nov. 27: Thanksgiving Vacation
Dec. 2-11: Student Presentations
Dec. 18 Final Exam (8:00-10:00 a.m.)